| 1 | Introduction to the reinterpretation of sculpture in contemporary art, conceptual framework | Sevim, A. (2010). Sculpture Art. |
| 2 | Discussions on the development of modern sculpture and current trends | Sevim, A. (2010). Sculpture Art. |
| 3 | Introduction to the tools and equipment used in modern sculpture practices | Read, H. (1956). The Art of Sculpture |
| 4 | Exploring material diversity: experiments with clay, plaster, wire, wood, metal, etc. | Read, H. (1956). The Art of Sculpture |
| 5 | Applying emotions and ideas to three-dimensional works (basic practices) | Curtis, P. (1999). Sculpture 1900–1945: After Rodin |
| 6 | Discussion on the transition from three-dimensional forms to four-dimensional works (time/performance/installation) | Curtis, P. (1999). Sculpture 1900–1945: After Rodin |
| 7 | Small-scale three-dimensional sculpture applications | Boardman, J. Sculpture of the Archaic Period. |
| 8 | Experiments with four-dimensional (kinetic, time-based) sculpture | Boardman, J. Sculpture of the Archaic Period. |
| 9 | Evaluation of ready-made materials as art objects – from Duchamp to the present | Smith, R. Hellenistic Sculpture |
| 10 | Original sculpture works with ready-made materials (studio practice) | Smith, R. Hellenistic Sculpture |
| 11 | Experimental sculpture practices combining different techniques | Gezer, H. Sculpture Art in the Republican Period |
| 12 | Idea development and sketch studies in the conceptual design process | Searches.(Nancy Atakan) |
| 13 | Implementation of sculpture projects using different materials and techniques | Gezer, H. Sculpture Art in the Republican Period |
| 14 | Critical analysis of sculpture practices in the context of contemporary art | |